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7 ans presque jour pour jour après son dernier film, Costa-Gavras, 86 ans, revient à la réalisation avec Adults in the Room. Découvrez les premières images de ce long-métrage qui sortira en salles le 6 novembre.

En 2012, Costa-Gavras s’attaquait au monde de la finance avec Le Capital, pamphlet grinçant sur un univers sans foi ni loi. Cette fois, le cinéaste a jeté son dévolu sur la crise en Europe, plus précisément sur les négociations de l’Eurogroupe de 2015 au sujet de la dette de la Grèce.

Adults in the Room est une adaptation des mémoires du politicien Yanis Varoufakis, Conversations entre adultes. Dans les coulisses très secrètes de l’Europe. Dans ce livre choc, l’ancien ministre grec des finances dézinguait avec force l’Union européenne après son expérience au coeur de celle-ci. Varoufakis a dû se battre avec férocité afin d’éviter à son pays de nouvelles mesures d’austérité en renégociant les termes de l’aide européenne. Le bras de fer entre la Grèce et l’UE avait défrayé la chronique à l’époque.

Costa-Gavras décrit son film comme “une tragédie grecque antique dans les temps modernes. C’est l’histoire d’un pays et de son peuple, prisonnier d’un réseau de pouvoir, le cercle vicieux des réunions de l’Eurogroupe qui ont imposé la dictature de l’austérité à la Grèce.”

Le cinéaste nous conduit dans les coulisses du pouvoir, au coeur de la crise grecque de 2015 qui a secoué l’Europe. Plusieurs grandes figures politiques sont dépeintes dans le film. Alexandros Bourdomis incarne notamment le Premier ministre grec Alexis Tsipras. Côté français, Pierre Moscovici, commissaire européen aux Affaires économiques et financières, est campé par Aurélien Recoing. Le politicien a joué un rôle majeur dans la résolution de la crise grecque.

On retrouve aussi Christine Lagarde, directrice du FMI, jouée par Josiane Pinson, Michel Sapin, interprété par Vincent Nemeth et Yanis Varoufakis, incarné par Christos Loulis. Enfin, l’actrice italienne Valeria Golino prête ses traits à Danae Stratou, l’épouse du ministre grec. Cette plongée dans les méandres d’un pouvoir obscur rappelle par certains aspects les récents El Presidente et Les Confessions. Ces longs-métrages mettent en scène un Etat dans l’Etat où sont prises certaines décisions capitales sans l’approbation du peuple.

Présenté en avant-première mondiale à la Mostra de Venise le 31 août, Adults in the Room sort en France le 6 novembre prochain.

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Kevin Magnussen described the crash which ruled him out of qualifying on Saturday as “very strange” but believes he can recover in today’s Canadian Grand Prix.

Late in FP3, Magnussen hit the wall heavily on the exit of Turn 7, bringing out the red flags which saw the session end prematurely. The incident saw Magnussen miss qualifying and he says there was an unusually low amount of grip available on cold tyres which caused the crash.

“It was really strange,” Magnussen said. “We had put a set [of tyres] on that I had run already and they hadn’t been warmed up in the blankets, they didn’t have time to get it warm. We just stuck them on and they were very slippery. And it is weird, because we have done it before and been alright. But maybe because the track temperature was so low it didn’t work. But it caught me out.

“I was just going out of the corner, hit a bump and it snapped massively and then I hit the wall.”

And Magnussen admits the damage was severe due to the angle at which he hit the wall, with the left hand side of the car taking the full impact.

“It is pretty much a different car, everything was damaged. It was a very hard hit, even though it wasn’t so fast I hit it so square.

“We will go back to the best chassis we had before that. This will be repaired and I am sure when it is repaired it is going to be the best chassis still. It is not so damaged the tub, but it needs repairing. It hit so much on the side, so it was only the crash structure and the crash structure takes quite a long time to fix. So when that is done, this chassis will be pretty much intact.”

Despite the incident, Magnussen is confident he can still have a successful race.

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“We are not that much worse off. I could have probably qualified 15th or 16th maybe. So it is not so much and we have a free choice if it starts to rain and we can change stuff and start from the pit lane. It is alright. There are always positives.

“Fingers crossed for rain and we will see – a bit like 2011 would be nice because that race anyone could have won. I’m not taking anything away from Jenson [Button] who won then… but if you do something like that… Jenson is an expert on that, but what I am saying is you don’t need to be fast in those circumstances. You need to take the right decisions and Jenson just took the perfect decision every time.”

REPORT: Hamilton edges out Rosberg and Vettel for pole

Technical feature: Under the skin of the Haas VF-16

Silbermann says … The world’s your lobster

Romain Grosjean column: Racing on two wheels

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Mob justice, which is seemingly becoming the new normal in India, has claimed yet another life. This time a 28-year-old Dalit man who was set on fire by a mob in Barabanki, Uttar Pradesh.

The victim, identified as Sujeet Kumar died in a Lucknow hospital on Monday, four days after he was trashed and set ablaze.

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Warsaw Has Lots of Apples – and Candles

November 28, 2019 | News | No Comments

WARSAW — People in Poland are eating apples these days. Lots of apples. Here in Warsaw, they’re pressed into your hands at a street festival, or baked into piles of pies and cakes. You see them everywhere.

It’s an act of defiance. Moscow has banned the importing of fruits and vegetables to Russia, in retaliation for the West’s sanctions against the country for supporting the separatists in Ukraine. Last year, Poland sold more than $400 million worth of produce to Russia, 90 percent of it apples. Now that market has disappeared.

So Poles are being urged to eat apples and then eat some more. It’s their patriotic duty. Cider sales have skyrocketed. Janusz Palikot, a controversial Polish businessman and politician declared to a local magazine, “Russia doesn’t want our apples? Then let’s make jam and booze!” The Polish ambassador to the US has even pronounced them “Freedom Apples,” in the dubious tradition of “Freedom Fries,” urging Yanks to take up the slack and buy more from Poland.

We were in Warsaw for the International Affiliation of Writers Guilds and the third World Conference of Screenwriters, part of the group representing the United States at several days of panels, meetings and receptions. Throughout, the conversation was lively and informative. Andrzej Wajda was there, the grand old man of Polish cinema. So was Andrew Davies, creator of the original TV version of “House of Cards” and countless other British adaptations; and so were several Scandinavian writers, flush with the success of such innovative television series as “The Killing,” “The Bridge,” and “Borgen,” the story of a woman Danish prime minister.

What almost never came up, even with the many Poles in attendance, was the 500-pound-gorilla that wasn’t precisely in the room, but just 700 or so miles away. A couple of weeks before, a German newspaper reported that Russian President Vladimir Putin allegedly had told Ukrainian President Petro Poroshenko, “If I wanted, in two days I could have Russian troops not only in Kiev, but also in Riga, Vilnius, Tallinn, Warsaw and Bucharest.”

It’s a sobering thought but not likely, most of those with whom we spoke claimed. Maybe their optimism is partly the ongoing euphoria of a nation that has largely escaped the economic meltdown of 2008 and that seems for the most part to have embraced democracy – Poland just celebrated the 25th anniversary of its first post-World War II, non-Communist government, not to mention the 25th anniversary of the fall of the Berlin Wall.

Poland is now a member of NATO and the European Union – in fact, the new president of the European Council is Donald Tusk, the Polish prime minister whose successor in Warsaw is Ewa Kopacz, a chain-smoking physician who used to carry a stethoscope in her purse and wrote prescriptions for fellow members of parliament. She recently took some heat when she told a press conference that “Poland should act like a reasonable Polish woman,” protecting her children first instead of heedlessly jumping into a fight – like a man.

Nonetheless, in some places, there is definitely a low hum of anxiety. But Article V of NATO’s founding treaty says that “an attack on one is an attack of all,” meaning, in theory at least, that the armed forces of Britain, France, Germany and the US, among others, would come to Poland’s defense. And a new NATO rapid response force is being headquartered here. Vladimir Putin may be boastful, many Poles think, but not foolhardy. Besides, he has his hands full with Ukraine, not to mention Chechnya and a host of other problems within. Then again, given Putin’s past actions in Georgia and Crimea, would Poland’s allies stand strong in the face of further, greater aggression?

Over the centuries, after all, Poland has experienced otherwise. For one, after Neville Chamberlain’s “peace in our time” deal with Hitler collapsed in 1939, Britain and France pledged to protect the integrity of the Polish state but the promise evaporated when Germany invaded on September 1 of that year. World War II began. And the Holocaust exploded, especially here in Poland, where virulent anti-Semitism already ran deep. We spent a dark and rainy day walking through the mud of the Auschwitz and Birkenau concentration camps, the rows of barracks, cells, gas chambers and crematoria where 1.1 million Jews were exterminated as well as thousands of Polish political prisoners, Soviet POW’s, Romani, homosexuals and even Jehovah’s Witnesses.

“Death, death, death,” a survivor recalled. “Death at night, death in the morning, death in the afternoon. Death. We lived with death. How could a human feel?”

In 1943, the Warsaw Ghetto Uprising began, Polish Jews fighting back against their forced removal to the death camps. Several hundred held off the Germans for a month but their resistance was crushed. A new Jewish museum, opening in Warsaw at the end of the month and located in what once was the ghetto’s center, tells that story and chronicles 1000 years of Jewish history in Poland. But today the government estimates there are only 15,000 Jews in the country. Before the war, there were as many as 3.5 million.

A year after the ghetto battles, another Warsaw uprising, led by the Polish Home Army in 1944, hoping to take the city from the Nazis as the Soviet army approached from the east. Two months of fierce fighting were futile. Another defeat and 200,000 more were killed.

By the time World War II ended, 85 percent of Warsaw was in rubble. That so much of it has been restored so magnificently is a miracle, especially in the Old Town where we stayed and where so much of the street-to-street fighting during the 1944 uprising took place. Plaques and monuments are everywhere.

The last night we were in Warsaw was the 70th anniversary of the end of the ’44 uprising. Boy Scouts – who all those decades before had risked their lives as a sort of postal service for the resistance, stealthily delivering messages around the city – lit thousands of candles. They were carefully placed all along streets that paralleled from above the routes of the underground sewers through which soldiers and citizens had been forced to flee.

The candles, like the apples, are symbols of resilience in the face of adversity. The tenacity and desire for freedom they represent are why so many of the Poles, despite their history of enmity from within and without, and the fear of future conflict, seem determined to live in hope.

A l’occasion de la sortie de “Nous finirons ensemble” aujourd’hui en DVD, retour sur une anecdote particulièrement croustillante, sur le tournage épique de la scène en parachute avec François Cluzet, racontée par Guillaume Canet.

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Nous finirons ensemble sort aujourd’hui en DVD et Blu-ray. Le 11 avril dernier, le film était présenté en avant-première au Club 300, en présence de Guillaume Canet, de Marion Cotillard, de Clémentine Baert et du producteur Alain Attal. L’occasion pour le réalisateur de livrer quelques anecdotes sur la suite des Petits mouchoirs. Ici, on apprend que le tournage de la scène du saut en parachute a été particulièrement riche en émotions pour François Cluzet. 

“François n’avait jamais sauté de sa vie et il n’avait pas du tout l’intention de le faire avant de lire le scénario, ça ne l’intéressait pas du tout !”, se souvient Marion Cotillard. Guillaume Canet confirme et rapporte les paroles du comédien qui incarne Max dans le film : “Ok, parce que c’est toi, je vais le faire.”, a-t-il dit avant de demander combien de fois il faudrait sauter. Sachant qu’il faudrait sauter trois ou quatre fois, l’acteur a répondu : “Ok, je vais sauter deux fois, et c’est tout.”

Au moment de faire sauter François Cluzet, le pilote fait signe au réalisateur que la zone de largage a été dépassée et qu’il faut refaire un tour. Guillaume Canet en profite pour lui faire répéter sa réplique plusieurs fois. Après trente fois à répéter “J’veux pas mourir !”, le pilote indique que c’est le moment. “A ce moment là, se souvient le cinéaste, je me suis dit c’est horrible, parce que s’il lui arrive un truc, (…) ce seront ses derniers mots et en plus je l’ai filmé en me marrant.”

Et si l’on en croit l’imitation hilarante qu’en fait Guillaume Canet à la fin de l’extrait, François Cluzet devrait se souvenir de ses deux sauts en parachute encore longtemps. 

Hamilton: I took issues in my stride after Spain

November 28, 2019 | News | No Comments

F1 points leader Lewis Hamilton explains his recent run of success by his ability to take in his stride all the issues that hampered the Mercedes driver’s start of his title defence.

Hamilton saw team-mate Nico Rosberg win the opening four races of the 2016 campaign, while he suffered a series of problems ranging from power unit woes to poor starts and on-track collisions.

The reigning world champion’s troubles reached their nadir in Barcelona when he collided with his title rival on the first lap, with both Mercedes retiring on the spot.

After staring at a 43-point gap deficit, Hamilton explains how he has managed to erase this deficit to take the championship ahead of this weekend’s German Grand Prix.

“Spain definitely ended up being a turning point, which did not feel that it was at the time,” the 31-year-old said. “It was rock bottom basically. It was ‘where do you go from here?’ and the only way was up.

“I just managed to get my head together, managed to get my sh**t together and get on with it, even though I have less engines, my mechanics have been changed, all these different things, which just did not seem to be working with me. It was ‘just deal with it’. Since then, we’ve pulled together.”

Hamilton is aware he will have to serve a power unit penalty at some point during the year. The triple world champion, who has won five of the last six races, aims for damage limitation when that happens.

“Whichever race it is where I have to take my penalty and start from the pit lane and in last place, I hope that this is minimum damage, that it does not mean I am 25 points behind. I don’t want to go back to that.

“That’s the goal and I think we’re in the strongest position we’ve been all year in terms of how our performance and how unified we are.”

Technical analysis – Budapest

DRIVER RATINGS: Hungarian Grand Prix

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REPORT: Hamilton holds off Rosberg to take championship lead

Breakfast with … Marc Surer

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At a time when the preparations for Ganesh Chaturthi and Durga Puja have kicked off in full swing at Kolkata’s Kumortuli — a traditional potters’ hub — a TMC MLA has commissioned a Ram-Sita idol which is grabbing eyeballs because of the increasing religious polarisation in the state which was once known for its vibrant intellectual and literary repertoire.

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The life-size fibreglass statue in question, which is is part of a larger set that also includes idols of Sita, Lakshman and Hanuman, has been commissioned by TMC MLA from Beleghata Paresh Pal and is being prepared in the workstation of of artist Raja Paul.

The Indian Express

C’est finalement Travis Knight (“Bumblebee”) qui a été choisi par Sony pour diriger Tom Holland dans “Uncharted”, l’adaptation ciné de la franchise de jeux vidéo. Il est le sixième réalisateur attaché au film depuis l’annonce du projet.

La valse des réalisateurs est-elle enfin terminée ? Après les départs successifs de David O. Russell, Neil Burger, Seth Gordon, Shawn Levy, et enfin de Dan Trachtenberg en août dernier, qui ont tous renoncé à porter à l’écran l’adaptation de la franchise de jeux vidéo phénomène, c’est Travis Knight (Bumblebee) qui selon Deadline a été choisi par Sony pour réaliser Uncharted, dont le tournage devrait démarrer début 2020 avec Tom Holland dans le rôle de Nathan Drake.

Travis Knight, qui a fait ses armes en tant que directeur de l’animation des studios Laika sur des films comme Coraline ou Les Boxtrolls, est passé à la réalisation en 2016 avec Kubo et l’armure magique. Il a ensuite enchaîné deux ans plus tard avec le spin-off de Transformers Bumblebee, son premier long métrage en prises de vues réelles, et prouve maintenant en prenant les commandes d’Uncharted qu’il a un véritable attrait pour les films d’action.

Scénarisé par Art Marcum, Matt Holloway, et Rafe Judkins, Uncharted s’intéressera à la jeunesse de Nathan Drake, le héros des jeux vidéo, et à ses premiers pas en tant qu’aventurier et chasseur de trésors. La franchise Uncharted s’est vendue à ce jour à plus de 41 millions de copies sur les différentes versions de la Playstation et en cas de succès il y a fort à parier que le long métrage porté par Tom Holland deviendra le premier volet d’une série de films. Quant à la date de sortie en salles, elle est toujours fixée au 23 décembre 2020 mais les retards de production pourraient bien repousser l’arrivée de Nathan Drake dans les salles obscures à 2021. Affaire à suivre.

Dans quoi verra-t-on Tom Holland après Spider-Man Far From Home ?

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Toto Wolff says Mercedes will “not elaborate in public” about the intricacies of its revised rules of engagement between Lewis Hamilton and Nico Rosberg, though he hints at financial penalties.

Following the title rivals’ latest coming together in Austria, the Mercedes motorsport boss warned that team orders were on the table. The reigning Constructors’ world champions eventually ruled that Hamilton and Rosberg “remain free to race”.

One caveat is that “much greater deterrents to contact” have been added, but Wolff refused to go into further detail when speaking to reporters ahead of the British Grand Prix at Silverstone.

“We decided we wouldn’t elaborate the rules in public.

“Because it is like a contractual detail. We are talking about possible sporting, possible financial consequences and we wouldn’t want to go into detail.

“The discussions were very good and I think it is clear for both drivers that we – Mercedes – are going through a tough time if we lose points and if the cars collide and that was acknowledged.”

Despite his unwillingness to go into the topic at length, Wolff was still quizzed about whether measures like a race ban or a change in the driver line-up are on the cards.

“If I answer the question it would be going into detail again. You know how a driver is calibrated and what is important for a driver so it is clear that if it would happen – which is entirely in their hands – it is something that would have a negative outcome for their campaign.

“The drivers are heroes. The stars of the show. I don’t want to belittle them in public and by answering the question there is a risk I would do so, so I will not go there.”

Wolff also admits Mercedes had to walk a fine line with its new rules of engagement because it did not want to take its drivers’ racing edge off.

“They drive a Mercedes because it is exactly how they are but we have had an accumulation of accidents in the last couple of races that has led to a situation that we somehow we need to contain.

“This is the tricky bit because if you have a yellow card, will it change your way of thinking or not? Because you know what happens with a second yellow card and it is a scenario that none of us wants to be in.”

Chris Medland’s 2016 British Grand Prix preview

From the cockpit: Felipe Nasr on back-to-back races

Technical analysis Austria

Scene at the Austrian Grand Prix

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La bande-annonce japonaise du film “Nicky Larson et le parfum de cupidon”, interprété et réalisé par Philippe Lacheau, a enfin été dévoilée !

“City Hunter the movie” ! Tel est le titre japonais du film Nicky Larson et le parfum de cupidon, adaptation du manga City Hunter par Philippe Lacheau et la clique de la Bande à Fifi (Babysitting, Alibi.com), daté pour le 29 novembre prochain dans les cinémas nippons. Preuve de l’attente suscitée par le long métrage sur les fans, une bande-annonce japonaise a été dévoilée cette nuit, mettant davantage sur l’action que les scènes de comédie bien que les éléments les plus emblématiques du manga y apparaissent : le caractère lubrique de Nicky, le marteau géant de Laura, la chanson Get Wild de la série animée…

 

En France, Nicky Larson et le parfum de cupidon est d’ores et déjà disponible en DVD, Blu-ray et téléchargement légal.

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