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Max Verstappen’s race weekend got off to a disappointing start in Baku on Friday, completing a limited number of laps out on the track before an oil leak sidelined him for the remainder of the morning session.

Although he was able to post the seventh fastest time in the afternoon after his car was repaired, Verstappen admitted that the loss of track time in the morning had inevitably put him on the back foot this weekend.

“Yes of course, if you don’t do that many laps in the first free practice – only three and they’re not on the limit – you miss a little bit of car set-up.

“From a driver point of view you also more few laps to get comfortable so that’s why the second practice was not perfect for us.

“We definitely have some work to do, but I’m not shocked – it’s okay. We still need to find a bit, but I think we have some very clever engineers up there to solve the problem.”

Verstappen said that he was enjoying the track overall, with its mix of slow tight corners and long fast straights.

“It’s quite okay to drive. Just sometimes the run-off areas are a bit tight. I went wide in turn 3 and I had to reverse twice to get out of it again, so that’s not ideal. But in general the track itself is quite fun to drive.

“Some kerbs are coming off I heard. I think out of turn six, I saw Sebastian went over the kerb and the kerb came up so we need to have a discussion. Maybe the exit of the pit lane is also not ideal so maybe open it up a bit. We’ll see.”

One thing that was noted by all teams was how much extra time drivers could make if they got into the slipstream or ‘tow’ of a car in front doen the two kilometre long straight. However Verstappen didn’t expect to see teams being able to make much use of this in qualifying.

“That would always help but the problem is you don’t have so much time in qualifying, so if one guy has to give up one lap then it’s maybe a chance he doesn’t make it to the next round of qualifying so it will be tricky but for sure it gives you three or four tenths.”

Hamilton 0.7s clear, Rosberg stops in FP2

Chris Medland’s 2016 Grand Prix of Europe preview

Technical analysis – Canada

Breakfast with … David Hobbs

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LOUISVILLE, Ky. — Nebraska state champion Papillion-LaVista took over the top spot in this week’s NFCA Fall High School Top 25 Coaches Poll after two-time defending state champion East Coweta lost twice in the Georgia Class 7A elite eight at the South Commons Complex in Columbus, Ga.

The (36-0) Monarchs ascended to the throne for the first time, ending East Coweta’s run of nine straight weeks at the No. 1 spot. Papillion-LaVista captured its second Nebraska Class A championship in the last three years two weeks ago. It was the Monarchs’ fifth consecutive appearance in the state final.

East Coweta (33-2), meanwhile, suffered as many losses last week — two — as it has had in the last two previous seasons combined. After edging Parkview, 4-3 in 10 innings, last Thursday, the Indians were shocked by eventual Class 7A titlist Mountain View, 1-0 in eight, later that night. An 8-2 loss to Peachtree Ridge on Friday closed their season and ended a three-year run during which they went a remarkable 101-4.

Wesleyan (31-2) slipped one spot to fourth after falling to Georgia Class A private champion Mount de Sales twice last week. The Wolves lost 4-2 in their elite eight opener and then 2-0 in the title contest, after winning three games to earn the rematch.

Elsewhere, Columbine (25-2) moved up to No. 5 after capturing the Colorado state 5A crown, beating two-time defending titlist Legend in the quarterfinals on Friday; No. 6 Westfield (24-2) claimed the Georgia Independent School Association tournament; and Banks County (31-3) is now 19th after winning the Georgia state Class AA championship.

Erie (16-7) returned to the rankings this week at No. 21 after outslugging Golden, 13-9, in Saturday’s Colorado state Class 4A final.

State rankings submitted by NFCA member coaches are used to compile the NFCA Fall High School Top 25 Coaches Poll. Teams are chosen based on performance, roster quality and strength of schedule. Five states — Colorado, Georgia, Nebraska, Oklahoma and Missouri — play a fall fastpitch schedule, while Iowa recently completed its summer season.

NFCA Fall High School Top 25 Coaches Poll – Oct. 31, 2019

Rank

Team

2019 Record

Previous

1

Papillion-LaVista (Neb.)

36-0

2

2

East Coweta (Ga.)

33-2

1

3

Collins-Maxwell (Iowa)

27-1

4

4

Wesleyan (Ga.)

31-2

3

5

Columbine (Colo.)

25-2

12

6

Westfield (Ga.)

24-2

5

7

Assumption (Iowa)

41-2

8

8

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Broken Arrow (Okla.)

37-2

9

9

Rock Canyon (Colo.)

22-2

6

10

Holy Family (Colo.)

25-2

7

11

Sequoyah (Tahlequah, Okla.)

42-3

10

12

Elkhorn (Neb.)

30-5

11

13

Silo (Okla.)

38-3

14

14

Golden (Colo.)

24-3

15

15

Loveland (Colo.)

22-3

13

16

Grand Junction Central (Colo.)

22-4

16

17

Binger-Oney (Okla.)

30-3

17

18

North Gwinnett (Ga.)

27-3

18

19

Banks County (Ga.)

31-3

22

20

Kiowa (Okla.)

40-4

19

21

Erie (Colo.)

16-7

NR

22

Chatfield (Colo.)

19-4

21

23

Prairie View (Colo.)

19-6

20

24

Beatrice (Neb.)

32-6

23

25

Raymore-Peculiar (Mo.)

25-5

25

Dropped out: Skutt Catholic (Neb.)

Venom 2 : Tom Hardy affrontera bien Woody Harrelson

November 28, 2019 | News | No Comments

Après être apparu à la fin du premier opus, Woody Harrelson sera bien de retour dans “Venom 2”, dans le rôle du super-vilain Carnage.

Le supervilain Carnage est confirmé pour Venom 2 ! Collider a pu rencontrer le directeur de la photo Robert Richardson qui va mettre en images les nouvelles aventures d’Eddie Brock sous la direction du réalisateur Andy Serkis. Richardson a confirmé que le comédien Woody Harrelson serait bien de la partie et reprendrait le rôle de Carnage, qu’il tenait dans la scène post-générique du premier Venom. Il affrontera donc Tom Hardy, qui rempile dans le rôle d’Eddie alias le symbiote.

Cletus Kasady dit Carnage devait initialement avoir un rôle plus imposant dans Venom premier du nom, mais s’était finalement retrouvé en scène bonus à la fin du film. Dans cette séquence, Eddie allait interviewer un détenu qui lui déclare : “lorsque je sortirais, ce qui arrivera, je vais faire un carnage”. Il s’agit comme Venom d’un porteur de symbiote.

Le directeur de la photo Robert Richardson a déjà travaillé avec Serkis sur Breathe, sa première réalisation. Il avait également exercé son art dans Platoon, Casino, Shutter Island, les Kill Bill, World War Z, Les Huit salopards et Once Upon A Time In Hollywood.

Venom 2 sera coécrit par Tom Hardy avec Kelly Marcel, qui officiait déjà sur le premier volet. Le film fait partie du “Spider-verse” prévu par Sony et il est décorrélé de Marvel Studios et des Avengers. Le divorce récent entre Disney et Sony quant à l’utilisation de Spider-Man n’impacte pas le projet ni son avancée.

Le premier “Venom” avait rapporté 856 millions de dollars :

Venom Bande-annonce VO

 

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Mercedes explains how radio ban works in races

November 28, 2019 | News | No Comments

Mercedes sporting director Ron Meadows explains how his team deals with the FIA’s restrictions on F1 radio communications, but admits “it’s impossible to make a complete list of what you can say and what you can’t say”.

The governing body implemented the fresh clampdown ahead of the current season in a bid to put more decision-making power back into the drivers’ hands.

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The topic was back in the spotlight last weekend in Baku where both Nico Rosberg and Lewis Hamilton suffered engine settings problems

Although Mercedes could see what was wrong on their W07s, the two-time Constructors’ champions could not tell their drivers, which left Hamilton fuming after the race.

“For 2016, it’s much more restrictive than previous seasons, certainly on engine modes, gearbox modes, start procedures,” Meadows said in the latest instalment of the Silver Arrows Show on YouTube. “That’s why you’re seeing so much variation at the start and in performance.

“First of all, we need to make sure we don’t blurt something out on the radio to the driver that could get us in trouble.

“If we need to say something that is not within the regulations, we need to speak to Race Control on the pit wall and we’ll make request to [FIA race director] Charlie Whiting.

“Once we realise and understand what the problem is, we need to send him a data sheet of where we are, and speak to various engineers from our side and on the FIA and see what course of action we need to take to fix the problem.”

“We need to show him this is safety-critical or that there is a good chance the car will not finish without these various communications and he’ll make a call.

“[In Baku] we were also speaking to people back in Brixworth and Brackley as well as engineers at the back of the garage and the race engineers, trying to figure out what the issue was between us. Once we understood it, it was trying to communicate that to Lewis.”

Speaking about how Mercedes can prepare to prevent similar problems at future races, Meadows added: “It’s just a better understanding of the regulations and also what you can actually ask because it’s quite subjective at the moment and it’s impossible to make a complete list of what you can say and what you can’t say.

“As you go through the process of the whole weekend and races, the list is updated on a weekly basis. Charlie does not want to hinder. He wants all drivers to finish the race but he does not want us to drive the car for them.”

Technical analysis – Baku

Scene at the Grand Prix of Europe

Grand Prix of Europe – Driver ratings

Breakfast with … Derek Daly

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In a tragic incident, a young leopard was found dead under mysterious circumstances in the buffer zone of Kanha Tiger Reserve in Mandla district. According to forest officials, the leopard was poisoned by villagers. The carcass was found near Narna pond, a few paces from a cow it had killed, a report in the Times of India said. Officials have sent both carcasses for autopsy and forensic examination. Initial tests say the leopard was poisoned.

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bccl/representational image

Villagers may have poisoned the cow carcass, knowing well that leopards return to their kill to feed. Officials are trying to find out if compensation was paid for the cattle kill.

7 ans presque jour pour jour après son dernier film, Costa-Gavras, 86 ans, revient à la réalisation avec Adults in the Room. Découvrez les premières images de ce long-métrage qui sortira en salles le 6 novembre.

En 2012, Costa-Gavras s’attaquait au monde de la finance avec Le Capital, pamphlet grinçant sur un univers sans foi ni loi. Cette fois, le cinéaste a jeté son dévolu sur la crise en Europe, plus précisément sur les négociations de l’Eurogroupe de 2015 au sujet de la dette de la Grèce.

Adults in the Room est une adaptation des mémoires du politicien Yanis Varoufakis, Conversations entre adultes. Dans les coulisses très secrètes de l’Europe. Dans ce livre choc, l’ancien ministre grec des finances dézinguait avec force l’Union européenne après son expérience au coeur de celle-ci. Varoufakis a dû se battre avec férocité afin d’éviter à son pays de nouvelles mesures d’austérité en renégociant les termes de l’aide européenne. Le bras de fer entre la Grèce et l’UE avait défrayé la chronique à l’époque.

Costa-Gavras décrit son film comme “une tragédie grecque antique dans les temps modernes. C’est l’histoire d’un pays et de son peuple, prisonnier d’un réseau de pouvoir, le cercle vicieux des réunions de l’Eurogroupe qui ont imposé la dictature de l’austérité à la Grèce.”

Le cinéaste nous conduit dans les coulisses du pouvoir, au coeur de la crise grecque de 2015 qui a secoué l’Europe. Plusieurs grandes figures politiques sont dépeintes dans le film. Alexandros Bourdomis incarne notamment le Premier ministre grec Alexis Tsipras. Côté français, Pierre Moscovici, commissaire européen aux Affaires économiques et financières, est campé par Aurélien Recoing. Le politicien a joué un rôle majeur dans la résolution de la crise grecque.

On retrouve aussi Christine Lagarde, directrice du FMI, jouée par Josiane Pinson, Michel Sapin, interprété par Vincent Nemeth et Yanis Varoufakis, incarné par Christos Loulis. Enfin, l’actrice italienne Valeria Golino prête ses traits à Danae Stratou, l’épouse du ministre grec. Cette plongée dans les méandres d’un pouvoir obscur rappelle par certains aspects les récents El Presidente et Les Confessions. Ces longs-métrages mettent en scène un Etat dans l’Etat où sont prises certaines décisions capitales sans l’approbation du peuple.

Présenté en avant-première mondiale à la Mostra de Venise le 31 août, Adults in the Room sort en France le 6 novembre prochain.

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Kevin Magnussen described the crash which ruled him out of qualifying on Saturday as “very strange” but believes he can recover in today’s Canadian Grand Prix.

Late in FP3, Magnussen hit the wall heavily on the exit of Turn 7, bringing out the red flags which saw the session end prematurely. The incident saw Magnussen miss qualifying and he says there was an unusually low amount of grip available on cold tyres which caused the crash.

“It was really strange,” Magnussen said. “We had put a set [of tyres] on that I had run already and they hadn’t been warmed up in the blankets, they didn’t have time to get it warm. We just stuck them on and they were very slippery. And it is weird, because we have done it before and been alright. But maybe because the track temperature was so low it didn’t work. But it caught me out.

“I was just going out of the corner, hit a bump and it snapped massively and then I hit the wall.”

And Magnussen admits the damage was severe due to the angle at which he hit the wall, with the left hand side of the car taking the full impact.

“It is pretty much a different car, everything was damaged. It was a very hard hit, even though it wasn’t so fast I hit it so square.

“We will go back to the best chassis we had before that. This will be repaired and I am sure when it is repaired it is going to be the best chassis still. It is not so damaged the tub, but it needs repairing. It hit so much on the side, so it was only the crash structure and the crash structure takes quite a long time to fix. So when that is done, this chassis will be pretty much intact.”

Despite the incident, Magnussen is confident he can still have a successful race.

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“We are not that much worse off. I could have probably qualified 15th or 16th maybe. So it is not so much and we have a free choice if it starts to rain and we can change stuff and start from the pit lane. It is alright. There are always positives.

“Fingers crossed for rain and we will see – a bit like 2011 would be nice because that race anyone could have won. I’m not taking anything away from Jenson [Button] who won then… but if you do something like that… Jenson is an expert on that, but what I am saying is you don’t need to be fast in those circumstances. You need to take the right decisions and Jenson just took the perfect decision every time.”

REPORT: Hamilton edges out Rosberg and Vettel for pole

Technical feature: Under the skin of the Haas VF-16

Silbermann says … The world’s your lobster

Romain Grosjean column: Racing on two wheels

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Mob justice, which is seemingly becoming the new normal in India, has claimed yet another life. This time a 28-year-old Dalit man who was set on fire by a mob in Barabanki, Uttar Pradesh.

The victim, identified as Sujeet Kumar died in a Lucknow hospital on Monday, four days after he was trashed and set ablaze.

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Warsaw Has Lots of Apples – and Candles

November 28, 2019 | News | No Comments

WARSAW — People in Poland are eating apples these days. Lots of apples. Here in Warsaw, they’re pressed into your hands at a street festival, or baked into piles of pies and cakes. You see them everywhere.

It’s an act of defiance. Moscow has banned the importing of fruits and vegetables to Russia, in retaliation for the West’s sanctions against the country for supporting the separatists in Ukraine. Last year, Poland sold more than $400 million worth of produce to Russia, 90 percent of it apples. Now that market has disappeared.

So Poles are being urged to eat apples and then eat some more. It’s their patriotic duty. Cider sales have skyrocketed. Janusz Palikot, a controversial Polish businessman and politician declared to a local magazine, “Russia doesn’t want our apples? Then let’s make jam and booze!” The Polish ambassador to the US has even pronounced them “Freedom Apples,” in the dubious tradition of “Freedom Fries,” urging Yanks to take up the slack and buy more from Poland.

We were in Warsaw for the International Affiliation of Writers Guilds and the third World Conference of Screenwriters, part of the group representing the United States at several days of panels, meetings and receptions. Throughout, the conversation was lively and informative. Andrzej Wajda was there, the grand old man of Polish cinema. So was Andrew Davies, creator of the original TV version of “House of Cards” and countless other British adaptations; and so were several Scandinavian writers, flush with the success of such innovative television series as “The Killing,” “The Bridge,” and “Borgen,” the story of a woman Danish prime minister.

What almost never came up, even with the many Poles in attendance, was the 500-pound-gorilla that wasn’t precisely in the room, but just 700 or so miles away. A couple of weeks before, a German newspaper reported that Russian President Vladimir Putin allegedly had told Ukrainian President Petro Poroshenko, “If I wanted, in two days I could have Russian troops not only in Kiev, but also in Riga, Vilnius, Tallinn, Warsaw and Bucharest.”

It’s a sobering thought but not likely, most of those with whom we spoke claimed. Maybe their optimism is partly the ongoing euphoria of a nation that has largely escaped the economic meltdown of 2008 and that seems for the most part to have embraced democracy – Poland just celebrated the 25th anniversary of its first post-World War II, non-Communist government, not to mention the 25th anniversary of the fall of the Berlin Wall.

Poland is now a member of NATO and the European Union – in fact, the new president of the European Council is Donald Tusk, the Polish prime minister whose successor in Warsaw is Ewa Kopacz, a chain-smoking physician who used to carry a stethoscope in her purse and wrote prescriptions for fellow members of parliament. She recently took some heat when she told a press conference that “Poland should act like a reasonable Polish woman,” protecting her children first instead of heedlessly jumping into a fight – like a man.

Nonetheless, in some places, there is definitely a low hum of anxiety. But Article V of NATO’s founding treaty says that “an attack on one is an attack of all,” meaning, in theory at least, that the armed forces of Britain, France, Germany and the US, among others, would come to Poland’s defense. And a new NATO rapid response force is being headquartered here. Vladimir Putin may be boastful, many Poles think, but not foolhardy. Besides, he has his hands full with Ukraine, not to mention Chechnya and a host of other problems within. Then again, given Putin’s past actions in Georgia and Crimea, would Poland’s allies stand strong in the face of further, greater aggression?

Over the centuries, after all, Poland has experienced otherwise. For one, after Neville Chamberlain’s “peace in our time” deal with Hitler collapsed in 1939, Britain and France pledged to protect the integrity of the Polish state but the promise evaporated when Germany invaded on September 1 of that year. World War II began. And the Holocaust exploded, especially here in Poland, where virulent anti-Semitism already ran deep. We spent a dark and rainy day walking through the mud of the Auschwitz and Birkenau concentration camps, the rows of barracks, cells, gas chambers and crematoria where 1.1 million Jews were exterminated as well as thousands of Polish political prisoners, Soviet POW’s, Romani, homosexuals and even Jehovah’s Witnesses.

“Death, death, death,” a survivor recalled. “Death at night, death in the morning, death in the afternoon. Death. We lived with death. How could a human feel?”

In 1943, the Warsaw Ghetto Uprising began, Polish Jews fighting back against their forced removal to the death camps. Several hundred held off the Germans for a month but their resistance was crushed. A new Jewish museum, opening in Warsaw at the end of the month and located in what once was the ghetto’s center, tells that story and chronicles 1000 years of Jewish history in Poland. But today the government estimates there are only 15,000 Jews in the country. Before the war, there were as many as 3.5 million.

A year after the ghetto battles, another Warsaw uprising, led by the Polish Home Army in 1944, hoping to take the city from the Nazis as the Soviet army approached from the east. Two months of fierce fighting were futile. Another defeat and 200,000 more were killed.

By the time World War II ended, 85 percent of Warsaw was in rubble. That so much of it has been restored so magnificently is a miracle, especially in the Old Town where we stayed and where so much of the street-to-street fighting during the 1944 uprising took place. Plaques and monuments are everywhere.

The last night we were in Warsaw was the 70th anniversary of the end of the ’44 uprising. Boy Scouts – who all those decades before had risked their lives as a sort of postal service for the resistance, stealthily delivering messages around the city – lit thousands of candles. They were carefully placed all along streets that paralleled from above the routes of the underground sewers through which soldiers and citizens had been forced to flee.

The candles, like the apples, are symbols of resilience in the face of adversity. The tenacity and desire for freedom they represent are why so many of the Poles, despite their history of enmity from within and without, and the fear of future conflict, seem determined to live in hope.

A l’occasion de la sortie de “Nous finirons ensemble” aujourd’hui en DVD, retour sur une anecdote particulièrement croustillante, sur le tournage épique de la scène en parachute avec François Cluzet, racontée par Guillaume Canet.

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Nous finirons ensemble sort aujourd’hui en DVD et Blu-ray. Le 11 avril dernier, le film était présenté en avant-première au Club 300, en présence de Guillaume Canet, de Marion Cotillard, de Clémentine Baert et du producteur Alain Attal. L’occasion pour le réalisateur de livrer quelques anecdotes sur la suite des Petits mouchoirs. Ici, on apprend que le tournage de la scène du saut en parachute a été particulièrement riche en émotions pour François Cluzet. 

“François n’avait jamais sauté de sa vie et il n’avait pas du tout l’intention de le faire avant de lire le scénario, ça ne l’intéressait pas du tout !”, se souvient Marion Cotillard. Guillaume Canet confirme et rapporte les paroles du comédien qui incarne Max dans le film : “Ok, parce que c’est toi, je vais le faire.”, a-t-il dit avant de demander combien de fois il faudrait sauter. Sachant qu’il faudrait sauter trois ou quatre fois, l’acteur a répondu : “Ok, je vais sauter deux fois, et c’est tout.”

Au moment de faire sauter François Cluzet, le pilote fait signe au réalisateur que la zone de largage a été dépassée et qu’il faut refaire un tour. Guillaume Canet en profite pour lui faire répéter sa réplique plusieurs fois. Après trente fois à répéter “J’veux pas mourir !”, le pilote indique que c’est le moment. “A ce moment là, se souvient le cinéaste, je me suis dit c’est horrible, parce que s’il lui arrive un truc, (…) ce seront ses derniers mots et en plus je l’ai filmé en me marrant.”

Et si l’on en croit l’imitation hilarante qu’en fait Guillaume Canet à la fin de l’extrait, François Cluzet devrait se souvenir de ses deux sauts en parachute encore longtemps.